Gia Margaret and the Art of Listening to Yourself
There’s a specific kind of magic that happens when an artist is forced to stop doing the one thing they love. For Gia Margaret, that moment came when a vocal injury took her voice away for years. Most singers would have just waited it out, but Gia did something better: she learned a new language.
By diving into the world of ambient music—inspired by the fuzzy, nostalgic textures of legends like Ernest Hood—she discovered how to make instruments “speak” when she couldn’t. Now, with her new single “Everyone Around Me Dancing,” she’s finally come full circle.
The voice is back, but it’s different now. It’s wiser.
The Sound of Coming Home
“Everyone Around Me Dancing” isn’t your typical high-energy pop comeback. It’s delicate. If her 2018 debut There’s Always Glimmer was a spark, this new material is the steady glow that follows.
The track is the lead single for her upcoming album, aptly titled Singing. It’s her first vocal-heavy project in nearly eight years, and you can hear the “jeweler’s precision” she picked up during her time in the ambient world.
What makes this track stand out:
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The Piano: It doesn’t just play notes; it feels like breath hitting a windowpane.
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The Contrast: It manages to feel both “homey” and experimental at the exact same time.
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The Weight: Every word feels intentional, likely because she knows exactly what it’s like to not be able to say them.
Why This Release Matters
In an industry that usually demands “louder and faster,” Gia Margaret is leaning into the quiet. She found her identity by losing her primary tool, and Singing feels like the reward for that patience.
If you’ve ever had to reinvent yourself after a setback, this song is going to hit home. It’s a reminder that sometimes the “detour” in our lives is actually the destination.
The Verdict: “Everyone Around Me Dancing” is a masterclass in subtlety. It’s the sound of an artist who isn’t just singing again—she’s finally being heard.





















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