ArtistRack brings to youΒ Post-rock, psychedelic, space-rock band Aelita Red and their single Cabin taken from their album Aelita Red
Press Release:
Welcome listener. Now Aelita Red isnβt your average band. In fact itβs not even a band, although it might sound like it, because youβre obviously, definitely listening to the album right now at this very second.
Youβre probably at the bit where the drums come inon the first bit and youβre getting weirded out and wondering if youβre going to suddenly develop narcolepsy. Itβs fine donβt worry, itβs just the introduction. Itβll get a bit more normal in a bit. Aelita Red isnβt a band, because itβs a project thatβs meant to sound like a band and hopefully convinces you of that. It also sounds better than βthe Dave White messing around on a laptop bandβ. Thatβs the guy who did it all. A guy called Dave. Or David if youβre his mum. Orifitβs Sunday.
This is not his brainchild either because that makes him sound like a guy who wears a cape. Now David is what we call a roadie, orif youβre Her Majestyβs Revenue and Customs, a guitar technician, and he travels around the world, sitting at the side of stages, putting strings on guitars for rock stars, plugging in amplifiers, getting electrocuted et cetera. Heβs the guy who also comes on stage and plays guitar a bit before the band that youβve paid tosee (or pestered the hell out of him for a ticket) comes on. A lot of that time is also spent waiting for things to happen. Aswe all know, the devil makes work for idle hands and hehad his hands full with this one.
What youβvegotis definitely the devilβs work but in a more subtle format. Notin such anobvious Judas Priest/Black Sabbath inverted crosses and gigantic monsters flying across the stage on Harley Davidsons kind of way. Neither isit something built from boredom. There were set goals and rules and everything had tobesoorit wouldnβt work. Work began in June 2016 at the side of a stage with the following rules; -No more than three guitar tracks at any one time. (Done) -You can only use a Mellotron. No other keyboard sounds. (Pretty much stuck to that) -Samples are ok (Only a couple, donβt get daft)
-Why not stick a lap steel in there? (All over it) -Definitely no semi-quavers (Might have ignored that a couple of times) -Not allowed to tune down guitars. (One song isin drop D, everything else isin standard tuning) -Do the drums and other bits at home. (Check) -You can only use a Gibson SG and a Rickenbacker 330 (Nuff said) -Only seven tracks (Yep) -There must bean introduction, an outroduction and a bit in the middle for a breather ortoilet break. (Definitely stuck to that) -Donβt go over the top in case it needs tobe played live. (Meeerh, ok) -Make the next bit more interesting than the last. (Subjective to the listener) -Make the next bit more unexpected than the last. (Also subjective) -Most importantly, definitely no singing or human voice whatsoever. Knowing one cannot sing is far greater a blessing than thinking one can sing. Skip forwards thirteen months and everything is finished, after uncountable re-writes, different versions of songs, some bits of songs being transplanted into other songs, mixing tracks on aeroplanes above the Andes, mastering on trains down the spine of the British Isles, a photo of a beautiful theatre ceiling in the furthest western reaches of the European continent and trying to record the dogat home, the project was deemed worthy ofanaudience. A truly international effort is what you behold. A self release was always on the cards, because if you want a job doing right, youβvegottodoit yourself. Keep abreast of the situation. Hold as many of the cards as you can. Trust no-one.
Once the album was released at the beginning of August 2017, it instantly won a Golden Globe for best daytime TV show, an Oscar nomination for best soundtrack to Avatar 2 and went over Niagara Falls in a bathtub. None of that was true, I was just checking you were still reading. The future for Aelita Red, however as a project will hopefully not be bound by being just βa projectβ floating in the ether but will hopefully expand into a live setting that will enter your ears, directly from instruments being played by people and physical releases you can actually put into your home hi-fi and allow your grey matter to spend forty two minutes somewhere else. Now you know everything there isto know about this band/project/not-brainchild and if thereβs anything youβre not sure about, just ask or look on the internet somewhere.
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