Zach John King’s “Get To Drinkin’”: A Deep Dive into the New Single

Zach John King’s “Get To Drinkin’” is the Relatable Post-Breakup Anthem We Needed

If you’ve been following the Nashville scene lately, you know Zach John King isn’t interested in making “shiny” country music. He’s built his name on songs that feel like a conversation at 2 AM in a dive bar, and his new single, “Get To Drinkin’,” might be his most honest work yet.

Dropped just a few days ago, the track picks up right where his Slow Down EP left off—caught somewhere between the grit of 90s indie rock and the storytelling of classic country.

The Sound: Rough Around the Edges (In the Best Way)

The first thing you notice about “Get To Drinkin’” is that it doesn’t try too hard. There’s no over-produced wall of sound here. Instead, you get King’s raspy, slightly tired vocals sitting right on top of a moody mix of pedal steel and a low-fret guitar buzz. It feels intimate, almost like he’s leaning over the bar stool next to you to tell you a secret.

The Story: That “Liquid Courage” Lie

We’ve all been there. You tell yourself you’re over it. You can pass her house without looking; you can hear her name without your chest tightening. You’re doing fine—until you’re two drinks in.

The song captures that specific moment where the alcohol starts lying to you. It’s about that “liquid honesty” that isn’t actually honest at all. The lyrics hit on the delusion we buy into when we’re lonely: the idea that the person who broke our heart is actually the one missing us.

“The whiskey whispers that your heart’s still mine…”

It’s a gut-punch of a line because it’s so universal. King isn’t playing the hero here; he’s playing the guy who’s about to make a mistake he’ll regret when the sun comes up.

Why Zach John King Matters Right Now

In a sea of “trucks and beer” country, King is leaning into the “Alt-Country” revival. He’s part of a new wave of artists who aren’t afraid to sound a little messy. It’s why he’s already landing spots on tour with guys like Morgan Wallen and Riley Green. He’s bringing a different texture to the genre—one that feels more like real life and less like a radio formula.

The Verdict: If you’re looking for a song to soundtrack a late-night drive or a quiet drink alone, this is it. It’s moody, it’s vulnerable, and it’s damn good.