John Roseboro & Mei Semones “Tooth Fairy” Review: A Post-Bossa Dream

John Roseboro’s “Tooth Fairy” is a Dreamy, Low-Fidelity Masterpiece

If you’ve spent any time in the Brooklyn indie circuit lately, you’ve probably heard the name John Roseboro. He’s become a bit of a local legend, not by being the loudest person in the room, but by being the most captivatingly quiet.

His new single, “Tooth Fairy” just dropped, and it’s everything we’ve come to expect from a songwriter who is single-handedly making “Bossa-Indie” a thing.

More Than Just a Vibe

Roseboro has this way of playing that feels incredibly personal. It’s that buttery, effortless vocal paired with a very specific, percussive strumming style that feels like it drifted straight out of 1960s Rio de Janeiro and landed in a dimly lit Bushwick apartment.

On “Tooth Fairy,” he leans into the mysticism he’s known for. He isn’t just singing about childhood myths; he’s using them to explore the weird, often painful exchanges we make as we get older. It’s soulful, a little bit haunting, and deeply grounded in his Brazilian jazz roots.

Why You Need to Listen

What makes Roseboro stand out in a sea of bedroom pop artists is his technicality. The guitar work is intricate and intentional, but it never feels like he’s “showing off.” Instead, it creates this warm, hypnotic cradle for his lyrics.

“Tooth Fairy” doesn’t try too hard to be a hit, which is exactly why it’ll probably be on repeat for anyone who appreciates:

• Soft-spoken vocals that actually say something.

• The intersection of Brazilian Jazz and DIY indie.

• Music that feels like a secret you’re in on.

John Roseboro isn’t just following a trend; he’s building a world. And with “Tooth Fairy,” he’s invited us all in for a few minutes of much-needed stillness.