
It’s time to be honest: for a long time, the global music industry treated South Asian artists like a “seasoning.” You’d see a token Bollywood-style remix or a colorful “World Music” stage at a festival, but the investment rarely went deeper than the aesthetic.
Fast forward to 2026, and that “novelty” era is officially dead.
With nearly 2 billion people in the region and a massive, influential diaspora, South Asia isn’t just a market to “tap into”—it’s the demographic that is currently redefining global pop culture. If you’re still marketing to this group using 2010 tactics, you’re already behind.
Here’s how the industry is moving from superficial features to authentic, long-term artist investment.
1. Killing the “Bollywood-Only” Myth
For years, the Western world assumed every South Asian listener wanted a cinematic dance number. The reality? The real growth is happening in Indie, Hip-Hop, and Regional Electronic scenes.
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The Reality Check: Gen Z in Mumbai, Lahore, and London are listening to Punjabi drill, Lo-fi indie-pop, and Tamil rap.
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The Strategy: Stop looking for “The Next Bollywood Star” and start looking for the next genre-defying visionary. Authenticity today means ditching the stereotypes and investing in subcultures.
2. The Power of “Trigger Markets”
Streaming data has changed the game. Labels have realized that India and Pakistan are “global trigger markets.” Because the volume of listeners is so high, a track that catches fire in these regions can force its way onto the Global Top 50 charts in a matter of days.
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Beyond Viral Moments: It’s not just about one TikTok trend; it’s about the sheer density of the fanbase. When a South Asian audience leans in, they don’t just “like” a song—they colonize the comments, the charts, and the culture.
3. Moving from “The Feature” to “The Signing”
We’ve all seen it: a Western pop star drops a South Asian artist onto a remix for a quick numbers boost. Fans see right through it now.
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The Shift: Major players like Universal and Warner aren’t just doing one-offs anymore. They are setting up dedicated divisions (like 91 North) to sign South Asian artists for multi-album deals.
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The Goal: True A&R. Developing an artist’s sound over three years, not three weeks.
The New Playbook: How the Strategy has Changed
| Old School (Novelty) | New School (Sustained) |
| “Desi” Remixes: Tacking on a verse to a US hit. | Co-Creation: Writing the song together from day one. |
| Cultural Tourism: Using saris and sitars as “vibes.” | Real Storytelling: Gritty, local, and honest visuals. |
| The “Big Cities” Only: Focusing solely on Mumbai. | Tier 2 Growth: Touring in places like Bengaluru or Jaipur. |
4. The Live Circuit: It’s Not Just a “World Music” Stage
The live space in South Asia has exploded. We’ve moved past small club dates to massive, multi-day festivals like Lollapalooza India.
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The Fan Experience: South Asian fans are some of the most dedicated in the world, but they expect high production value. They want the same pyro, the same sound quality, and the same “mega-event” feel as a show in London or Coachella.
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Brand Loyalty: If you show up for the fans in their home cities—especially beyond the usual hubs—they will stick with you for an entire career.
5. The Diaspora Bridge
The “secret sauce” is the 30-million-strong diaspora. There is a constant feedback loop between London, Toronto, New York, and South Asia.
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The “Homecoming” Effect: When an artist like AP Dhillon or Diljit Dosanjh sells out arenas in the West, it creates a massive surge of pride and “hype” back home. Marketing to the diaspora is the fastest way to trigger a global movement.
The Bottom Line
The “next big thing” isn’t coming; it’s already here. Moving from novelty to sustained investment isn’t just a “nice” thing to do for diversity—it’s the smartest business move in the modern music industry.
The labels and promoters who win in 2026 are the ones who treat South Asian artists not as a guest at the table, but as the ones hosting the party.



















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