
Introducing ‘Lori Williams’
Acclaimed internationalΒ Jazz vocalist Lori Williams is turning a corner. In possession of a most impressive resume as a performing artist, educator, songwriter, producer, vocalist and musical theatre actress, her reputation and level of respect are top shelf and unimpeachable. However, Lori is electing to let her hair down to pursue a more relaxed passion path in the realms of the Quiet Storm and R&B-leaning Soul-Jazz. Kicking off this current (and surely to evolve) direction is a special double-A sided single βI Like the Way You Talk (To Me)β, which she co-wrote with prolific Contemporary Jazz producer/keyboardist Bob Baldwin) banded with a tasty remix edit of her recent cover of the Isaac Hayes gem βDeja Vuβ (made famous in 1979 by Dionne Warwick). Her 2017 released Promo CDΒ (in rotation on radio stations worldwide and Sirius XM/Watercolors)Β has led into this release of her fourth album, Out Of The Box.
βWhen you reach the milestone of 50, many things begin to cross your mind,β Lori declares with a chuckle. “Out Of The Box is a deliberate breakaway from me being stereotyped as βLori only does thisβ β this being Straight Ahead Jazz. For me to be recognized and respected within that music has been quite an accomplishment; but there is more to me. Out Of The Box is a Neo-Soul Jazz project. When I hear my voice on these new songs, itβs a sound I really like. Itβs feelΒ goodΒ music with catchy lyrics that people can remember and walk away singing.β
βI Like the Way You Talk (To Me)β and βDeja Vuβ showcase a lovely, tasteful sensuality from Lori that both men and women will appreciate. It is but the first of such love song collaborations that Lori has created with Bob Baldwin, a major player who is proving to be quite the simpatico contemporary partner for her writing style. βWeβd known about each other for years but our paths never crossed,β she shares. βThen in 2016, we both recorded versions of theΒ Ivan Lins’Β classic βThe Island.β He played both on his radio show βNewUrbanJazz Lounge,β dropped me a line to tell me and we started talking. He invited me to sit in with him singing βThe Islandβ at Rams Head in Annapolis and we really connected. I wanted to connect with Bob’s audience, which is comparable to artists Iβve sung background vocals for like Phil Perry, Angela Winbush and Maysa. Bob and I have been working together ever since.β That work includes a stunning and stellar 30th Anniversary performance celebrating Baldwinβs 30th anniversary as a recording artist.
Lori Williams already has three well-received CDs to her credit β all of which she self-produced: her highly personal 2010 debut Healing WithinΒ (featuring a cover of “I Can’t Make You Love Meβ), 2012βs triumphant Eclipse of the Soul (featuring βMother Black Crow,β βScream Freedomβ and a cover of The Emotionsβ Skip Scarborough-penned βDonβt Ask My Neighborsβ) and 2016βs outstanding Behind the Smile, the title track revealing compassionate transparency into the heart and soul of Lori as a woman. βThat song speaks to our current state of affairs as peopleβ¦the way we sometimes go about life is almost by rote,β Lori laments. βSomeone asks, βHow are you,β and you give aΒ generic reply, βFine.β Weβve become immune to the needs and cares of the world and our neighbors. I want to know whatβs really behind the smileβ¦to be more cognizant of people and how theyβre really feeling. I brought that approach to the whole CD.β
It was while Lori was doing radio at WHOV-FM/Hampton UniversityΒ that she also became close with musicians and professors in the Music Department who encouraged her to enter a talent show. Lori took 2nd Place at the βBudweiser Showdownβ and got to record her song βWhat Have I Found In You.β Then she met Professors Effie GardnerΒ and Bob Ransom, joined the vocal Jazz group and promptly fell in love with Jazz, haunting every club she could find. In 1988, Lori took a train to New York City to compete on TVβs βShowtime at The Apollo.β She sang βSummertimeβ from βPorgy & Bess.β Β The Jazz singer who has been Loriβs greatest living inspiration is Dianne Reeves. βShe is my unspoken mentor. I look up to her.β
Today, many aspiring singers look up to Lori as well β be it in classrooms (currently Director of Vocal Music at Woodrow Wilson High School), the multiple church, community and concert choirs she conducts, or the international vocalΒ clinics she runs. She has received many honors as an educator including the 2010 Vincent E. Reed Teacher of the Year. As a performing artist, Lori was nominated for a 2014 Helen Hayes Award as an Outstanding Lead Actress in a Resident Musical for her role as Ella Fitzgerald in “Ladies Swing the Blues: A Jazz Fable.”
Ultimately, it is her international work as a singerΒ and clinicianΒ that most satisfies her and has brought the widest amount of recognition. With each performance in a new countryΒ come fresh admirers. Though her work has also included background and featured singing for artists such as Gospelβs Yolanda Adams and Walter Hawkins, R&Bβs Howard Hewett, Tony TerryΒ and The Blackbyrds, Contemporary Jazzβs Stanley Jordan, Nathan East, Norman Brown and Tom Browne, Traditional Jazzβs Slide Hampton, Terri Lyne Carrington and Winard Harper, and Tap Dance sensation Savion Glover, Lori is most focused on unveiling songs of love from her βdream bookβ for Out Of The Box in 2018.
βI am a woman of vision and hope,β Lori concludes. βMuch of my music could very well have been written from a perspective of tragedy. I prefer possibility. My heart knows love is there and can be found.β
Excerpt of BioΒ By A. Scott GallowayΒ -Music Journalist





















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