Tag: Music Review
Joe Nance – My Melody Pt.1 (Review)
ArtistRack review 'My Melody Pt.1' by Joe Nance:
Joe Nance has never been the kind of artist whose sound can be easily categorized within a specific...
Keith Morris & Crooked Numbers – Psychopaths & Sycophants (Review)
Keith Morris & Crooked Numbers have just released their much-anticipated album Psychopaths & Sycophants.
The first, energetic track on this dynamic and engaging album is...
The Twindows – Valkyrie 2.0 (Review)
The Twindows are an alternative rock band with a fondness with edgy melodies, in-your-face lyricism and gritty production aesthetics.
Their recent release is a full-length...
Cxlvin – 5:02 (Review)
Cxlvin's "5:02" moniker isolates itself from external pressures and expectations to develop an acquired taste of musicianship that evokes an undeniably impressive composition. The...
Anwesa – Just For Me (Review)
Anwesa’s 'Just For Me' is the quintessential love song that focuses on the romantic characteristics of musical spirit. It conveys the romantic feeling of...
Timi Tamminen – Toffee (Review)
Timi Tamminen has brought hip hop back to basics with his long-awaited single “Toffee” that has sent an atomic shockwave throughout the hip hop...
Steven Bryan – Dolled Up (Review)
Steve Bryan’s songwriting faculties have hit top-tier levels on his newest single 'Dolled Up' meshing the metaphysical world of atmospheric character in conjoinment with...
C.K. and The Rising Tide – Friends (Review)
C.K. and The Rising Tide reinforce a momentous band chemistry through their single 'Friends' to the panache of inspired possibilities into the minds of...
Carlos Morgan – Have A Little Faith (Review)
Carlos Morgan’s latest single 'Have A Little Faith' places hop in the inspiring story of a talented independent artist making significant head way and...
Oxaï Roura & Steve Osborne – Defying Gravity (Experior) – review
The collaborative effort put forth in 'Defying Gravity' by Oxai Roura & Steve Osbourne is a literary masterpiece where each constituency plays its position...
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Tiana Major9 “Desire” Review: A Sultry New Peak for R&B in 2026
Tiana Major9 is Finally Playing by Her Own Rules
If you’ve been following Tiana Major9 since the "Collide" days, you know she’s always had the...
Top Music Software Updates 2026: New DAW Features & VSTs
The 2026 Gear Shift: Music Software Updates You Actually Need to Care About
If your plugins feel a little "2024" lately, you’re not imagining it....
Erin LeCount – DON’T YOU SEE ME TRYING? Review & Meaning
Why 'DON’T YOU SEE ME TRYING?' is hitting so hard right now.
There is a very specific type of frustration that comes with being the...
Top Music Markets Outside the U.S.: 2026 Global Industry Trends
The reality of the 2026 music scene is that the "center" of the industry has shifted. It’s no longer just about cracking the Billboard...
$u$pect ft. Fbe GeeBahby – Smirkish Pt 2: The New Pop Single Review
$u$pect & Fbe GeeBahby Just Doubled Down with "Smirkish Pt 2"
Let’s be real—sequels are risky. Usually, the second installment of a track feels like...
Always Jim New Single: Wonder World | Paul Kostromin Indie Rock
Playing for the Soul: Always Jim Turns Grief into Indie-Gold with "WONDER WORLD"
There’s a rare shift that happens when a musician stops trying to...
Why Playlist Pitching Still Matters in 2026 | Artistrack #1 Music Promo
Why Playlist Pitching Still Matters (and Why Most Artists Are Doing It Wrong)
In 2026, it feels like the music industry is moving at a...
Genre Fusion in 2026: 10 Artists Breaking Every Music Rule
The Genre-Fluid Revolution: 10 Artists Killing the "Label" in 2026
Remember when we used to argue about whether a band was "Alternative" or "Indie"? In...
Chalk ‘Tongue’ Review: A Deep Dive into the New Single from Crystalpunk
Chalk Just Dropped ‘Tongue’ and It’s Everything We Wanted From Crystalpunk
If you’ve been keeping tabs on the Belfast music scene lately, you know that...
Damon Albarn New Single ‘Flags’: A Powerful Return for War Child
Damon Albarn’s ‘Flags’: A Masterclass in Pop with a Purpose
If there is one thing we’ve learned over the last three decades, it’s that Damon...
Daphni – Hang Review: A 70s Chase Scene Meets 2026 Warehouse Pop-House
The Vibe: 70s Chase Scene Meets a 2026 Warehouse
"Hang" doesn't waste time. It leads with these massive, brassy horns that sound like they were...
Mark Ambuter A Scratch of Grace Review | Soulful Indie Pop
Mark Ambuter’s "A Scratch of Grace" is the Reality Check Pop Music Needs Right Now
Let’s be honest: most modern pop feels like it was...
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