Tag: Katie Cole
Katie Cole – Christmas After All
Artistrack brings to you ‘Christmas After All’ by Katie Cole
Here Katie Cole delivers another holiday offering. “Christmas After All” is a perfect balance of...
Katie Cole – Young and Stupid
Artistrack brings to you ‘Young and Stupid’ by Katie Cole
This year has Katie Cole has already toured Australia, Mexico and just completed a 27...
Katie Cole – Maybe Memphis
Artistrack brings to you ‘Maybe Memphis’ by Katie Cole
This song is about escaping bad relationships and seeking better ones and adventures across the rich...
Katie Cole – One More Time
ArtistRack brings to you 'One More Time' by Katie Cole:
Amongst the chaos of a major city, we see and hear none of it. So...
Katie Cole – Call You Up
ArtistRack brings to you 'Call You Up' by Katie Cole:
"I co-wrote this with Jess and Steve from Jess And The Bandits. Originally, I thought...
Katie Cole – Broke
Katie Cole presenting her single, 'Broke'
Katie Cole is an Australian singer songwriter based in Nashville. She has opened up for Billy Corgan, America and...
Katie Cole – Short Story Long
Katie Cole releases her new single, 'Short Story Long'
With a diverse background of writing, recording and touring as a musician in the Smashing Pumpkins,...
Katie Cole – River Flow
Katie Cole drops her latest single, 'River Flow'
Throughout Katie Cole’s journey from a working class neighborhood in Melbourne, to her current spot as keys...
Katie Cole – Hands Tied
Katie Cole introduces her brand new single release, 'Hands Tied'
It was recorded at Blackbird Studios in Nashville. Written by me. Produced by Howard Willing....
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Tiana Major9 “Desire” Review: A Sultry New Peak for R&B in 2026
Tiana Major9 is Finally Playing by Her Own Rules
If you’ve been following Tiana Major9 since the "Collide" days, you know she’s always had the...
Top Music Software Updates 2026: New DAW Features & VSTs
The 2026 Gear Shift: Music Software Updates You Actually Need to Care About
If your plugins feel a little "2024" lately, you’re not imagining it....
Erin LeCount – DON’T YOU SEE ME TRYING? Review & Meaning
Why 'DON’T YOU SEE ME TRYING?' is hitting so hard right now.
There is a very specific type of frustration that comes with being the...
Top Music Markets Outside the U.S.: 2026 Global Industry Trends
The reality of the 2026 music scene is that the "center" of the industry has shifted. It’s no longer just about cracking the Billboard...
$u$pect ft. Fbe GeeBahby – Smirkish Pt 2: The New Pop Single Review
$u$pect & Fbe GeeBahby Just Doubled Down with "Smirkish Pt 2"
Let’s be real—sequels are risky. Usually, the second installment of a track feels like...
Always Jim New Single: Wonder World | Paul Kostromin Indie Rock
Playing for the Soul: Always Jim Turns Grief into Indie-Gold with "WONDER WORLD"
There’s a rare shift that happens when a musician stops trying to...
Why Playlist Pitching Still Matters in 2026 | Artistrack #1 Music Promo
Why Playlist Pitching Still Matters (and Why Most Artists Are Doing It Wrong)
In 2026, it feels like the music industry is moving at a...
Genre Fusion in 2026: 10 Artists Breaking Every Music Rule
The Genre-Fluid Revolution: 10 Artists Killing the "Label" in 2026
Remember when we used to argue about whether a band was "Alternative" or "Indie"? In...
Chalk ‘Tongue’ Review: A Deep Dive into the New Single from Crystalpunk
Chalk Just Dropped ‘Tongue’ and It’s Everything We Wanted From Crystalpunk
If you’ve been keeping tabs on the Belfast music scene lately, you know that...
Damon Albarn New Single ‘Flags’: A Powerful Return for War Child
Damon Albarn’s ‘Flags’: A Masterclass in Pop with a Purpose
If there is one thing we’ve learned over the last three decades, it’s that Damon...
Daphni – Hang Review: A 70s Chase Scene Meets 2026 Warehouse Pop-House
The Vibe: 70s Chase Scene Meets a 2026 Warehouse
"Hang" doesn't waste time. It leads with these massive, brassy horns that sound like they were...
Mark Ambuter A Scratch of Grace Review | Soulful Indie Pop
Mark Ambuter’s "A Scratch of Grace" is the Reality Check Pop Music Needs Right Now
Let’s be honest: most modern pop feels like it was...
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