Tag: RnB Music Review
Labán – Quién da Más (Review)
Check out this music review of the new single, 'Quién da Más' released by Labán
Labán is an artist who loves to combine vibrant pop...
Peyton Gilliland – Magnetic (Review)
Check out this music review of the new single, 'Magnetic' released by Peyton Gilliland
A lush and dynamic single with a bright pop edge to...
Jaycent D Brock – Deep Within Your Soul (Review)
Check out the music review of the new release, 'Deep Within Your Soul' released by Jaycent D Brock
Jaycent D Brock is what you could...
LeeMann Bassey – Honey (R & B Mix) (Review)
Check out this Review of new single from LeeMann Bassey titled 'Honey' (R&B Mix)
LeeMann Bassey recently came out with a powerful new release titled...
Lee Clark Allen – Religion (Review)
Check out this Review of 'Religion' by Lee Clark Allen
R&B singer Lee Clark Allen certainly knows a thing or two about crafting amazing melodies,...
Jaycent D Brock – Radiant Love (Review)
Check out ArtistRack's Review of 'Radiant Love' by Jaycent D Brock
“Radiant Love” is a new studio release from musician and performer Jaycent D Brock....
Lee Clark Allen – I Won’t Tell Myself A Lie (Review)
Lee Clark Allen possesses an impressive stage presence through his elaborate recording execution on his latest single 'I Won’t Tell Myself A Lie'.
He sings...
Sonny Dumarsais – Transition (Review)
Transition is a symbolic testament to the shifting perspective of heartbreak and Sonny Dumarsais encapsulates this notion through his unprecedented sound and unmatched tenure.
Dumarsais...
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$u$pect ft. Fbe GeeBahby – Smirkish Pt 2: The New Pop Single Review
$u$pect & Fbe GeeBahby Just Doubled Down with "Smirkish Pt 2"
Let’s be real—sequels are risky. Usually, the second installment of a track feels like...
Always Jim New Single: Wonder World | Paul Kostromin Indie Rock
Playing for the Soul: Always Jim Turns Grief into Indie-Gold with "WONDER WORLD"
There’s a rare shift that happens when a musician stops trying to...
Why Playlist Pitching Still Matters in 2026 | Artistrack #1 Music Promo
Why Playlist Pitching Still Matters (and Why Most Artists Are Doing It Wrong)
In 2026, it feels like the music industry is moving at a...
Genre Fusion in 2026: 10 Artists Breaking Every Music Rule
The Genre-Fluid Revolution: 10 Artists Killing the "Label" in 2026
Remember when we used to argue about whether a band was "Alternative" or "Indie"? In...
Chalk ‘Tongue’ Review: A Deep Dive into the New Single from Crystalpunk
Chalk Just Dropped ‘Tongue’ and It’s Everything We Wanted From Crystalpunk
If you’ve been keeping tabs on the Belfast music scene lately, you know that...
Damon Albarn New Single ‘Flags’: A Powerful Return for War Child
Damon Albarn’s ‘Flags’: A Masterclass in Pop with a Purpose
If there is one thing we’ve learned over the last three decades, it’s that Damon...
Daphni – Hang Review: A 70s Chase Scene Meets 2026 Warehouse Pop-House
The Vibe: 70s Chase Scene Meets a 2026 Warehouse
"Hang" doesn't waste time. It leads with these massive, brassy horns that sound like they were...
Mark Ambuter A Scratch of Grace Review | Soulful Indie Pop
Mark Ambuter’s "A Scratch of Grace" is the Reality Check Pop Music Needs Right Now
Let’s be honest: most modern pop feels like it was...
Dua Saleh & Bon Iver “Flood”: New Album ‘Of Earth & Wires’ Details
Dua Saleh is Building a New World: "Flood," Bon Iver, and the Road to 'Of Earth & Wires'
There are artists who follow trends, and...
Pat Melfi – The Leftover Guy: A Gritty New Pop Single
Pat Melfi Breaks His Silence: Why "The Leftover Guy" is the Gritty Anthem We Needed
Most people in the business know Pat Melfi as the...
Beatmaking Trends 2026: From Lo-Fi Vibes to Hyperpop Chaos
Beatmaking in 2026: Why Everything Sounds Like a Glitchy Dream
If you’ve spent any time on social media lately, you’ve probably noticed that the lines...
Best AI Tools for Mixing & Mastering (2026 Comparison & Rankings)
Stop Guessing, Start Finishing: The Best AI Mixing & Mastering Tools (Ranked)
Let’s be real: mixing and mastering can be a total vibe-killer. You spend...
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