Tag: Love It To Death
Love It To Death – Glass Eyes (Review)
Love It to Death's latest single, "Glass Eyes," offers a striking commentary on arrogance and its consequences through a powerful alternative sound. The song...
Review of “Angel With A Blade” by Love It to Death
ArtistRack brings to you ‘Angel With A Blade’ by Love It to Death
In the vast expanse of the alternative rock universe, it's increasingly rare...
Love It To Death – Do Not Sleep
Dreamy Resonance and Introspective Journeys: Mark Francis' "Do Not Sleep" by Love It To Death
Mark Francis, the multifaceted musician behind the alternative rock and...
Love It To Death – I Could Be Someone
"I Could Be Someone" by Love It To Death, is a mesmerizing journey into the world of alternative rock and dream pop. Hailing from...
Love It To Death – I Could Be Someone
Artistrack brings to you ‘I Could Be Someone’ by Love It To Death
'Love It To Death' (born in 2017) is an Alternative Rock and...
Love It to Death – Will Be Sometime
Artistrack brings to you ‘Will Be Sometime’ by Love It to Death
A song about travelling around and discovering new places away from tourist traps....
Love It To Death – Dante’s Disco
Artistrack brings to you ‘Dante's Disco’ by Love It To Death
The original 'Dante's Disco' was a notorious discotheque in San Francisco where gangs used...
Love It To Death – Psycho Paradise
Artistrack brings to you ‘Psycho Paradise’ by Love It To Death
This is an unfortunately topical song that tries to get into the mind of...
Love It To Death – What Shall We Do?
Love It To Death presenting, 'What Shall We Do?'
Love It To Death is an Alt Rock / Dream Pop band from Wiltshire in the...
Latest
The Bad Bunny Effect: Why Latin Music Dominates Global Streaming
The Bad Bunny Effect: Why Latin Music Isn’t Just Topping Charts—It’s Owning Them
For a long time, the music industry had a "glass ceiling" for...
Music Industry Growth: Lessons from the Gospel Music Explosion
It’s easy to look at an 18.5% growth stat and think, "That’s just corporate numbers." But behind that massive spike in Christian and Gospel...
Ragz Originale “Couture” Review: A Final Taste of New Album ‘keepsake’
Ragz Originale is Back: "Couture" is the Soundtrack to Your Next Late-Night Drive
If there is one person in the UK music scene who truly...
Shae Universe “Journey To The Sun” (ft. Ariel J.): Review & Vibe
Shae Universe Just Leveled Up: Why "Journey To The Sun" Is the Vibe We Needed
If you’ve been keeping an eye on the UK scene,...
Ego Ella May – What You Waiting For | New Single & Review
Ego Ella May’s "What You Waiting For" is the Gentle Shove We All Need Right Now
There is a specific kind of magic that comes...
CaNn CaNn Drops New Single ‘Sweat’: From the V.I. to the Big Stage
From the V.I. to the Big Stage: CaNn CaNn Drops New High-Energy Single "Sweat"
There’s a specific kind of magic that happens when you mix...
YONAKA – Trouble Follows: New Single & Album Release Date 2026
It’s no secret that YONAKA’s music has always felt like a living thing—less like a polished studio product and more like a raw emotional...
Jesse Mills Band – Don’t Need to Worry | New Pop-Blues Single Review
It’s easy for music reviews to sound like a press release, so let's strip away the "marketing-speak" and get to why people actually care...
The DSP Selectivity Crisis: Is Your Music About to Be Evicted?
The End of the "Upload and Hope" Era: Is Your Music About to Be Evicted?
For the last decade, we’ve been living in the Wild...
Anderson Rose: “That Crazy Place Called Texas” Single Review
Hot Winds and High Hopes: Anderson Rose Chronicles a Changing State in "That Crazy Place Called Texas"
If you’ve spent a summer in Central Texas,...
Gaming Sync Shift: Why VR & AR Outpay Traditional TV Sync
Beyond the "Needle Drop": Why VR and AR are Outpacing TV in the Sync Race
For a long time, the music industry viewed the "TV...
Efosa – SAVANNAH | The New Sound of Afrosexy from North London
From Writing Hits to Owning the Spotlight: Efosa’s ‘SAVANNAH’ is a Masterclass in Vibe
If you’ve been paying attention to the credits on some of...
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