Tag: Alternative Music Review
Mark Francis – Psycho Paradise
Psycho Paradise: Where Playground Fun Meets Trigger Finger Fright
Mark Francis' "Psycho Paradise" plunges headfirst into the disturbingly timely world of teen gun obsession, delivering...
Reversed Perception – Over My Head (Review)
Check out this music review of the new single, 'Over My Head' released by Reversed Perception
Reversed Perception have just released their new alternative single...
SAMIJAY – You’re So Mean (Review)
Check out this music review of the new single, 'You’re so mean' by SAMIJAY
Rock and R&B collide in a beautiful new song by a...
Rick Shaffer – Let Go (Review)
Check out this music review of the new single 'Let Go' released by Rick Shaffer
Rick Shaffer is a dynamic rock artist with a really...
Alison Fleming – Girlfriend (Review)
Check out this Review for 'Girlfriend' by Alison Fleming
An alternative music artist that still retain a catchy and energetic side with a lot of...
Roam Like Ghosts – Smile (Review)
Roam Like Ghosts blends the alternative world in an acoustic demeanor towards a grungy bravura through a collaborative effort to infiltrate the music scene...
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Liz Cooper ‘Better Than Ever’ Review: A New Era of Psychedelic Pop
Finding yourself is a bit of a moving target. Just when you think you’ve finally nailed down who you are, life throws a curveball—or...
Jesse Mills Band “All In the Family”: New Pop Single Review 2026
Jesse Mills Band Just Dropped "All In the Family" – And It’s the Groove We Needed
If you’ve been tracking the Jesse Mills Band for...
Yaya Bey Blue: Inside the New Single and ‘Fidelity’ Album Era
Yaya Bey Isn’t Your Commodity: Inside the New Single "Blue" and the Fidelity Era
If you thought Yaya Bey was going to take a long...
Banshee ‘Fawnheart’ Review: A Genre-Defying Fantasy Pop Single
Banshee’s ‘Fawnheart’ is a Beautiful, Brutal Glitch in the Pop Machine
There’s a specific kind of magic that happens when a metalhead decides to make...
Creed Chameleon “American Dream”: Realism in Fil-Am Hip-Hop
From Hawaii to Vegas: Creed Chameleon is Keeping it Real on "American Dream"
In a music scene that feels increasingly filtered, Creed Chameleon is a...
Why Consistency Beats Virality in 2026: The Data-Backed Truth
In 2026, chasing a "viral hit" feels a lot like trying to catch lightning in a bottle while standing in a downpour. It’s exhausting,...
Hit-Boy “BLOCK PARTY” Review: The Producer’s Bold Move Into Pop
Hit-Boy Just Swerved Into Pop with "BLOCK PARTY" — And It Actually Works
If you had "Hit-Boy drops a pop anthem" on your 2026 bingo...
The First 72 Hours: A Step-by-Step Release Growth Blueprint
The First 72 Hours: Your "Make or Break" Growth Blueprint
Most people think a launch is a single moment—the second you hit "publish." In reality,...
DOE and Jon Batiste “Black Boy”: A Soulful New Anthem of Identity
Some artists make music to climb the charts, and others make music because they have something they need to say. DOE (the powerhouse formerly...
ALEXSUCKS “Flinch” Review: New Single & Autopilot Album Deep Dive
ALEXSUCKS Just Dropped "Flinch"—and It’s the Dark, Danceable Anthem Your Playlist is Missing
Let’s be real: most "indie revival" bands sound like they’re just trying...
Ray Vaughn & AZ Chike Drop ‘Hit and Run’: From Chaos to Pop Success
Ray Vaughn & AZ Chike’s ‘Hit and Run’ Is the High-Energy Collab We Needed
If you’ve been following Ray Vaughn, you know his path to...
Natalie Jinju ‘letters to my lover’ Review: The New Voice of Jazz-Pop
Natalie Jinju Just Dropped the Ultimate "Hopeless Romantic" Anthem: 'letters to my lover'
If you’ve spent any time on the cozy, jazz-infused side of TikTok...
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