Tag: review
Sonny Dumarsais – Transition (Review)
Transition is a symbolic testament to the shifting perspective of heartbreak and Sonny Dumarsais encapsulates this notion through his unprecedented sound and unmatched tenure.
Dumarsais...
Roam Like Ghosts – Smile (Review)
Roam Like Ghosts blends the alternative world in an acoustic demeanor towards a grungy bravura through a collaborative effort to infiltrate the music scene...
Laura Marie – Stars Apart
ArtistRack reviews 'Stars Apart' by Laura Marie:
Laura Marie’s songwriting on these compositions contain introspective elements that emit powerful transfigurations of eternal harmonies levitating contemporary...
A Light Within – Page #54 (Chemical Drive)
ArtistRack reviews Page #54 (Chemical Drive) by A Light Within:
A Light Within has illuminated a rather dim future of music to its core components with...
Samijay – Headed for Disaster (Review)
The Samijay duet captures the distinctiveness of a pure and unspoiled old-fashioned nostalgia of musicianship on their latest single 'Headed For Disaster'.
The brassy vocals...
SAMIJAY – Silly Love Song (Review)
ArtistRack reviews Silly Love Song by SAMIJAY:
SAMIJAY is a driven, forward-thinking and dynamic music project from NYC. Their sound blurs the lines between acoustic...
Joe Nance – My Melody Pt.1 (Review)
ArtistRack review 'My Melody Pt.1' by Joe Nance:
Joe Nance has never been the kind of artist whose sound can be easily categorized within a specific...
Keith Morris & Crooked Numbers – Psychopaths & Sycophants (Review)
Keith Morris & Crooked Numbers have just released their much-anticipated album Psychopaths & Sycophants.
The first, energetic track on this dynamic and engaging album is...
The Twindows – Valkyrie 2.0 (Review)
The Twindows are an alternative rock band with a fondness with edgy melodies, in-your-face lyricism and gritty production aesthetics.
Their recent release is a full-length...
Cxlvin – 5:02 (Review)
Cxlvin's "5:02" moniker isolates itself from external pressures and expectations to develop an acquired taste of musicianship that evokes an undeniably impressive composition. The...
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Hit-Boy “BLOCK PARTY” Review: The Producer’s Bold Move Into Pop
Hit-Boy Just Swerved Into Pop with "BLOCK PARTY" — And It Actually Works
If you had "Hit-Boy drops a pop anthem" on your 2026 bingo...
Liz Cooper ‘Better Than Ever’ Review: A New Era of Psychedelic Pop
Finding yourself is a bit of a moving target. Just when you think you’ve finally nailed down who you are, life throws a curveball—or...
Jesse Mills Band “All In the Family”: New Pop Single Review 2026
Jesse Mills Band Just Dropped "All In the Family" – And It’s the Groove We Needed
If you’ve been tracking the Jesse Mills Band for...
Yaya Bey Blue: Inside the New Single and ‘Fidelity’ Album Era
Yaya Bey Isn’t Your Commodity: Inside the New Single "Blue" and the Fidelity Era
If you thought Yaya Bey was going to take a long...
Banshee ‘Fawnheart’ Review: A Genre-Defying Fantasy Pop Single
Banshee’s ‘Fawnheart’ is a Beautiful, Brutal Glitch in the Pop Machine
There’s a specific kind of magic that happens when a metalhead decides to make...
Creed Chameleon “American Dream”: Realism in Fil-Am Hip-Hop
From Hawaii to Vegas: Creed Chameleon is Keeping it Real on "American Dream"
In a music scene that feels increasingly filtered, Creed Chameleon is a...
Why Consistency Beats Virality in 2026: The Data-Backed Truth
In 2026, chasing a "viral hit" feels a lot like trying to catch lightning in a bottle while standing in a downpour. It’s exhausting,...
The First 72 Hours: A Step-by-Step Release Growth Blueprint
The First 72 Hours: Your "Make or Break" Growth Blueprint
Most people think a launch is a single moment—the second you hit "publish." In reality,...
DOE and Jon Batiste “Black Boy”: A Soulful New Anthem of Identity
Some artists make music to climb the charts, and others make music because they have something they need to say. DOE (the powerhouse formerly...
ALEXSUCKS “Flinch” Review: New Single & Autopilot Album Deep Dive
ALEXSUCKS Just Dropped "Flinch"—and It’s the Dark, Danceable Anthem Your Playlist is Missing
Let’s be real: most "indie revival" bands sound like they’re just trying...
Ray Vaughn & AZ Chike Drop ‘Hit and Run’: From Chaos to Pop Success
Ray Vaughn & AZ Chike’s ‘Hit and Run’ Is the High-Energy Collab We Needed
If you’ve been following Ray Vaughn, you know his path to...
Natalie Jinju ‘letters to my lover’ Review: The New Voice of Jazz-Pop
Natalie Jinju Just Dropped the Ultimate "Hopeless Romantic" Anthem: 'letters to my lover'
If you’ve spent any time on the cozy, jazz-infused side of TikTok...
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