Tag: Music Review

Divining Rod – Hemlock Blues / Love Come Tumbling (Review)

Divining Rod’s has just released a state-of-the-art album by the name of β€˜Hemlock Blues / Love Come Tumbling’ that omits that trendy recording efforts by modern bands and brings music back to its core elements of timeless songwriting.

Chapell – Soul Man EP (Music Review)

Chapell’s highly anticipated EP 'Soul Man' has officially hit the marketplace and has been generating a positively receptive buzz within the independent music community. The mixture of acoustic sound with the crunchy lofi distortion layers in a phased ensemble of musical sophistication that reveres this band as a leading contender in the erudite genre of innovation.

ArtistRack Reviews ‘You Are The One’ by The Impersonators

Check out our review for 'You Are The One' by The Impersonators: The juggernaut songwriting duet in this band is an apparent expression of their musical aptitude through the master mind alliance of creative understanding. This song was written with impeccable craftiness as it resonated beautifully with the harmonic melodies that remained constant throughout.

ArtistRack reviews ‘Come Back Home’ by Antonial Barnes

ArtistRack reviews Come Back Home by Antonial Barnes: Antonial Barnes wears multiple hats in his musical empire sifting effortlessly from the low-end bass lines all the way throughout the collective instrumental spectrum of design. The slow tempo organ pieces give the composition a widened sound for the piano chords to work with touching down the center of the stereo image. The magnificent vocals shine as an enlightened dimension with a vigorous presence domineering the entire single to its incessant apparition.

ArtistRack Reviews ‘I Know Better’ by SURREAL NATION

Surreal Nation congregates a 5-set ensemble of musicianship on their newest EP β€œI Know Better” meshing deliberate professional sound originating from the folk and rock genres. The throwback tonality of their music relates to a 60’s aura of instrumentation that engulfs each sound sector while simultaneously paying homage to the alternative facets of music. The indie focal point of their vision is an indicator of the inspirational attitude each band member encapsulates throughout their creative gateways.

ArtistRack Reviews Robbing Johnny’s latest release ‘Cold March’

The live music vibrancies and theatrical nature of Robbing Johnny’s latest release 'Cold March' provides a unique recording relationship where there is an unprecedented...

ArtistRack Reviews Cristown’s new album ‘BREEZY’

Check out our review of Cristown's new album 'Breezy': The conscious intuition ingrained in Cristown’s music certifies an authentic stamp of reality that sets his...

ArtistRack Reviews ‘Breach’ by Nail Hide Metal

The searing guitar tonalities on Nail Hide Metal’s newest album 'Breach' provide a distinction within the saturation components with a nice tube-like low end...

ArtistRack Reviews Brendan McMahon’s single ‘Mother’ (Universalist)

ArtistRack Reviews Brendan McMahon's single 'Mother' taken from his EP 'Universalist' The vocals on BrendanJ’s single 'Mother' contain magnificent hi-end frequencies that resonate mystical qualities...

ArtistRack Reviews ‘Songs from The Suck’ by Randy Steele

The composite recordings on Randy Steele’s β€˜Songs From The Suck' were arranged in a syncopated, off beat fashion that added to the distinguished characteristics...

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$u$pect ft. Fbe GeeBahby – Smirkish Pt 2: The New Pop Single Review

$u$pect & Fbe GeeBahby Just Doubled Down with "Smirkish Pt 2" Let’s be realβ€”sequels are risky. Usually, the second installment of a track feels like...

Always Jim New Single: Wonder World | Paul Kostromin Indie Rock

Playing for the Soul: Always Jim Turns Grief into Indie-Gold with "WONDER WORLD" There’s a rare shift that happens when a musician stops trying to...

Why Playlist Pitching Still Matters in 2026 | Artistrack #1 Music Promo

Why Playlist Pitching Still Matters (and Why Most Artists Are Doing It Wrong) In 2026, it feels like the music industry is moving at a...

Genre Fusion in 2026: 10 Artists Breaking Every Music Rule

The Genre-Fluid Revolution: 10 Artists Killing the "Label" in 2026 Remember when we used to argue about whether a band was "Alternative" or "Indie"? In...

Chalk ‘Tongue’ Review: A Deep Dive into the New Single from Crystalpunk

Chalk Just Dropped β€˜Tongue’ and It’s Everything We Wanted From Crystalpunk If you’ve been keeping tabs on the Belfast music scene lately, you know that...

Damon Albarn New Single ‘Flags’: A Powerful Return for War Child

Damon Albarn’s β€˜Flags’: A Masterclass in Pop with a Purpose If there is one thing we’ve learned over the last three decades, it’s that Damon...

Daphni – Hang Review: A 70s Chase Scene Meets 2026 Warehouse Pop-House

The Vibe: 70s Chase Scene Meets a 2026 Warehouse "Hang" doesn't waste time. It leads with these massive, brassy horns that sound like they were...

Mark Ambuter A Scratch of Grace Review | Soulful Indie Pop

Mark Ambuter’s "A Scratch of Grace" is the Reality Check Pop Music Needs Right Now Let’s be honest: most modern pop feels like it was...

Dua Saleh & Bon Iver “Flood”: New Album ‘Of Earth & Wires’ Details

Dua Saleh is Building a New World: "Flood," Bon Iver, and the Road to 'Of Earth & Wires' There are artists who follow trends, and...

Pat Melfi – The Leftover Guy: A Gritty New Pop Single

  Pat Melfi Breaks His Silence: Why "The Leftover Guy" is the Gritty Anthem We Needed Most people in the business know Pat Melfi as the...

Beatmaking Trends 2026: From Lo-Fi Vibes to Hyperpop Chaos

Beatmaking in 2026: Why Everything Sounds Like a Glitchy Dream If you’ve spent any time on social media lately, you’ve probably noticed that the lines...

Best AI Tools for Mixing & Mastering (2026 Comparison & Rankings)

Stop Guessing, Start Finishing: The Best AI Mixing & Mastering Tools (Ranked) Let’s be real: mixing and mastering can be a total vibe-killer. You spend...