Tag: Music Review

Divining Rod – Hemlock Blues / Love Come Tumbling (Review)

Divining Rod’s has just released a state-of-the-art album by the name of β€˜Hemlock Blues / Love Come Tumbling’ that omits that trendy recording efforts by modern bands and brings music back to its core elements of timeless songwriting.

Chapell – Soul Man EP (Music Review)

Chapell’s highly anticipated EP 'Soul Man' has officially hit the marketplace and has been generating a positively receptive buzz within the independent music community. The mixture of acoustic sound with the crunchy lofi distortion layers in a phased ensemble of musical sophistication that reveres this band as a leading contender in the erudite genre of innovation.

ArtistRack Reviews ‘You Are The One’ by The Impersonators

Check out our review for 'You Are The One' by The Impersonators: The juggernaut songwriting duet in this band is an apparent expression of their musical aptitude through the master mind alliance of creative understanding. This song was written with impeccable craftiness as it resonated beautifully with the harmonic melodies that remained constant throughout.

ArtistRack reviews ‘Come Back Home’ by Antonial Barnes

ArtistRack reviews Come Back Home by Antonial Barnes: Antonial Barnes wears multiple hats in his musical empire sifting effortlessly from the low-end bass lines all the way throughout the collective instrumental spectrum of design. The slow tempo organ pieces give the composition a widened sound for the piano chords to work with touching down the center of the stereo image. The magnificent vocals shine as an enlightened dimension with a vigorous presence domineering the entire single to its incessant apparition.

ArtistRack Reviews ‘I Know Better’ by SURREAL NATION

Surreal Nation congregates a 5-set ensemble of musicianship on their newest EP β€œI Know Better” meshing deliberate professional sound originating from the folk and rock genres. The throwback tonality of their music relates to a 60’s aura of instrumentation that engulfs each sound sector while simultaneously paying homage to the alternative facets of music. The indie focal point of their vision is an indicator of the inspirational attitude each band member encapsulates throughout their creative gateways.

ArtistRack Reviews Robbing Johnny’s latest release ‘Cold March’

The live music vibrancies and theatrical nature of Robbing Johnny’s latest release 'Cold March' provides a unique recording relationship where there is an unprecedented...

ArtistRack Reviews Cristown’s new album ‘BREEZY’

Check out our review of Cristown's new album 'Breezy': The conscious intuition ingrained in Cristown’s music certifies an authentic stamp of reality that sets his...

ArtistRack Reviews ‘Breach’ by Nail Hide Metal

The searing guitar tonalities on Nail Hide Metal’s newest album 'Breach' provide a distinction within the saturation components with a nice tube-like low end...

ArtistRack Reviews Brendan McMahon’s single ‘Mother’ (Universalist)

ArtistRack Reviews Brendan McMahon's single 'Mother' taken from his EP 'Universalist' The vocals on BrendanJ’s single 'Mother' contain magnificent hi-end frequencies that resonate mystical qualities...

ArtistRack Reviews ‘Songs from The Suck’ by Randy Steele

The composite recordings on Randy Steele’s β€˜Songs From The Suck' were arranged in a syncopated, off beat fashion that added to the distinguished characteristics...

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Mimi Webb β€œEyes Closed” Review: Everything About the New Deluxe Single

Mimi Webb’s β€œEyes Closed” is the Brutally Honest Rebound Anthem We Needed Mimi Webb has this way of getting inside your head. It’s not just...

Beyond TikTok: 5 Emerging Social Media Platforms to Watch in 2026

By 2026, the internet has reached a tipping point. We aren't just looking for "content" anymore; we’re looking for connection. The "big" platforms aren't...

The Evolution of Playlist Culture: What Curators Want in 2026

The Death of the "Genre" Playlist: What Curators Actually Want in 2025 Let’s be honest: the dream of landing one massive Spotify editorial playlist and...

Guilt Trip ‘Angel Eyes’ Review: The Brutal Truth Behind the New Single

Stop Everything: Guilt Trip Just Dropped the Most Relatable Song of the Year If you’ve ever looked at someone and thought, β€œYou’re going to be...

Tiana Major9 “Desire” Review: A Sultry New Peak for R&B in 2026

Tiana Major9 is Finally Playing by Her Own Rules If you’ve been following Tiana Major9 since the "Collide" days, you know she’s always had the...

Top Music Software Updates 2026: New DAW Features & VSTs

The 2026 Gear Shift: Music Software Updates You Actually Need to Care About If your plugins feel a little "2024" lately, you’re not imagining it....

Erin LeCount – DON’T YOU SEE ME TRYING? Review & Meaning

Why 'DON’T YOU SEE ME TRYING?' is hitting so hard right now. There is a very specific type of frustration that comes with being the...

Top Music Markets Outside the U.S.: 2026 Global Industry Trends

The reality of the 2026 music scene is that the "center" of the industry has shifted. It’s no longer just about cracking the Billboard...

$u$pect ft. Fbe GeeBahby – Smirkish Pt 2: The New Pop Single Review

$u$pect & Fbe GeeBahby Just Doubled Down with "Smirkish Pt 2" Let’s be realβ€”sequels are risky. Usually, the second installment of a track feels like...

Always Jim New Single: Wonder World | Paul Kostromin Indie Rock

Playing for the Soul: Always Jim Turns Grief into Indie-Gold with "WONDER WORLD" There’s a rare shift that happens when a musician stops trying to...

Why Playlist Pitching Still Matters in 2026 | Artistrack #1 Music Promo

Why Playlist Pitching Still Matters (and Why Most Artists Are Doing It Wrong) In 2026, it feels like the music industry is moving at a...

Genre Fusion in 2026: 10 Artists Breaking Every Music Rule

The Genre-Fluid Revolution: 10 Artists Killing the "Label" in 2026 Remember when we used to argue about whether a band was "Alternative" or "Indie"? In...