Tag: Music Review

DRU CUTLER – OCEANSIDE (Review)

Dru Cutler has just released his newly – renowned extended play 'Oceanside' that has infiltrated the independent music scene with premeditated vigor.

SΓΆur Bruthers – SΓΆur Bruthers (Review)

SΓΆur Bruthers ups their creative capacity on their debut self titled EP β€œSΓΆur Bruthers” serving as a prequel for innovative future ventures pioneering sound in an upward progression towards the decisive pinnacle of timeless music. The twangy strumming portions of the EP were an amalgam to the overall composition’s structural efficiency within the frequency spectrum and musical variety.

Caroline Ferrante – SKY (Music Review)

The folk-pop fundamental texture of Caroline Ferrante’s newly released EP 'Sky' is turning heads within the indy music scene as a rhythmically- revolutionary sensation of intricate compositions.

Divining Rod – Hemlock Blues / Love Come Tumbling (Review)

Divining Rod’s has just released a state-of-the-art album by the name of β€˜Hemlock Blues / Love Come Tumbling’ that omits that trendy recording efforts by modern bands and brings music back to its core elements of timeless songwriting.

Chapell – Soul Man EP (Music Review)

Chapell’s highly anticipated EP 'Soul Man' has officially hit the marketplace and has been generating a positively receptive buzz within the independent music community. The mixture of acoustic sound with the crunchy lofi distortion layers in a phased ensemble of musical sophistication that reveres this band as a leading contender in the erudite genre of innovation.

ArtistRack Reviews ‘You Are The One’ by The Impersonators

Check out our review for 'You Are The One' by The Impersonators: The juggernaut songwriting duet in this band is an apparent expression of their musical aptitude through the master mind alliance of creative understanding. This song was written with impeccable craftiness as it resonated beautifully with the harmonic melodies that remained constant throughout.

ArtistRack reviews ‘Come Back Home’ by Antonial Barnes

ArtistRack reviews Come Back Home by Antonial Barnes: Antonial Barnes wears multiple hats in his musical empire sifting effortlessly from the low-end bass lines all the way throughout the collective instrumental spectrum of design. The slow tempo organ pieces give the composition a widened sound for the piano chords to work with touching down the center of the stereo image. The magnificent vocals shine as an enlightened dimension with a vigorous presence domineering the entire single to its incessant apparition.

ArtistRack Reviews ‘I Know Better’ by SURREAL NATION

Surreal Nation congregates a 5-set ensemble of musicianship on their newest EP β€œI Know Better” meshing deliberate professional sound originating from the folk and rock genres. The throwback tonality of their music relates to a 60’s aura of instrumentation that engulfs each sound sector while simultaneously paying homage to the alternative facets of music. The indie focal point of their vision is an indicator of the inspirational attitude each band member encapsulates throughout their creative gateways.

ArtistRack Reviews Robbing Johnny’s latest release ‘Cold March’

The live music vibrancies and theatrical nature of Robbing Johnny’s latest release 'Cold March' provides a unique recording relationship where there is an unprecedented...

ArtistRack Reviews Cristown’s new album ‘BREEZY’

Check out our review of Cristown's new album 'Breezy': The conscious intuition ingrained in Cristown’s music certifies an authentic stamp of reality that sets his...

Latest

Essosa ‘Touch bby’ Review: The New Must-Listen Pop Anthem

Essosa Just Dropped the Song of the Summer (And It’s Only February) If you haven’t been keeping tabs on Essosa, consider this your formal invitation...

Michellar: The 40-Year Journey to New Single β€˜Love Peace War’

After a 40-Year Silence, Michellar Finds Her Way "Home" with β€˜Love Peace War’ There’s a specific kind of magic that happens in San Francisco when...

PRESIDENT β€˜Angel Wings’ Review: Meaning, Lyrics & Tour Dates

The Masked King Returns: Why PRESIDENT’s β€˜Angel Wings’ is the Anthem We Needed The UK music scene has been buzzing about the masked enigma known...

Noah Guy “HIGHER” Review: A Soulful Prelude to MEMORIA, in blue

The Noah Guy Era is Here: Why "HIGHER" is Already on Repeat If you’ve been keeping tabs on the R&B scene lately, you know that...

Aaron Cole – Peace At Last: New Single Review & Artist Journey

Aaron Cole Just Dropped "Peace At Last" and Honestly? We Needed This. If you’ve been following Aaron Cole, you know he doesn’t really miss. But...

Indie vs. Signed: Do You Still Need a Record Label in 2026?

The industry has flipped. It’s no longer about a suit in an office "discovering" you; it’s about you building a fire so big they...

Always Jim “COLOUR ME” Single Review: A Tribute to Scotty & Bruce

From Loss to Loud: Always Jim Returns with the High-Voltage Single "COLOUR ME" There’s a specific kind of magic that happens when music is born...

Compton Av “BOW” Single: A Masterclass in Independent Hip-Hop Success

The Blueprint of a Boss: Compton Av Levels Up with New Single β€œBOW” In an industry obsessed with overnight virality, Compton Av is a reminder...

How to Write an Artist Bio People Actually Read (Tips & Examples)

Forget the Resume: How to Write an Artist Bio People Actually Care About Let’s be honest: writing about your own art is the worst. It’s...

Joan & The Giants & Seb Szabo: ‘Figure It Out’ Music Video Premiere

When a Song Feels Like a Hug: Joan & The Giants and Seb Szabo Drop the β€˜Figure It Out’ Video If you haven’t sat in...

flowerovlove “Casual Lady” Review: The New Era of Alt-Pop

flowerovlove Just Dropped "Casual Lady" and It’s a Total Mood If your playlist has been feeling a little stagnant lately, Joyce Cisse (better known as...

Shahlon – ON DA TABLE | Maryland’s New Era of Lyrical Rap

Maryland’s Best Kept Secret? Shahlon Raises the Stakes with "ON DA TABLE" In a landscape where music is often treated as disposable background noise, Maryland’s...