Monthly Archives: January 2017

Omar+ Just Dropped the Ultimate Miami Anthem: "Back to the 305" There’s a specific feeling you get when the plane wheels touch down in Miami—that...

The Soul of County Cork: Darren Kiely Finds Strength in Surrender with "White Flag" There is something hauntingly beautiful about a song that captures the...

Corey Kent’s "Wannabe" is the Cowboy Ballad We Needed Right Now There’s a reason Rolling Stone called Corey Kent the next big thing in Red...

AVAION’s “ifidiewouldyoucry” is a Haunting Masterclass in "Sad-Dance" AVAION isn’t interested in staying inside a box. The German multi-instrumentalist and platinum-selling composer has spent the...

Hurricane Wisdom Stuns with New Single "Enough": A Star Rising Out of Havana, Florida There’s something special happening in Havana, Florida, and it goes by...

The Soul of Simplicity: Why Alexia Jayy’s "Rent Free" Hits So Hard In a world where music often feels buried under layers of autotune and...

SoundCloud for Artists: The 2026 Comeback For a long time, SoundCloud was the "middle ground" option—great for hosting music, but they took a 20% cut...

Bri3’s New Single "Whatever" is the Relatable IDGAF Anthem We Needed If your social feed has been flooded with Maryland’s own Bri3 lately, there’s a...

Finding "Lookalike Audiences" for a new release can feel like a shot in the dark, but it’s actually the most logical way to scale....

Karly Bowman’s "Next To Me": A Raw Evolution of Indie-Pop Nostalgia The indie-pop scene is crowded, but Karly Bowman is carving out a space that...

Coming Home: Michellar Asks "Do We Love Us" in Newest Single There is a specific kind of magic in San Francisco’s local music scene—the kind...

Owen Riegling’s "Rest Of My" is the Soundtrack to the Best Chapter of His Life If you’ve been following Canadian country music over the last...